Small Font Size Large Font Size Donate now to support Slought Foundation!

Study Programs Symposia Seminars | Roundtables Performances Publications Exhibitions | Installations Donate General Info About the Foundation Slought Radio Slought Bookstore Announcement List What's On Slought Foundation | New Futures for Contemporary Life





"Public Override Void"

Jim Carpenter

View Slideshow | Download Audio (63 min)
Press Kit / Image | PDF Download



Exhibit Duration: April 17 - June 10, 2004
Location: Slought Foundation Vault
Reception: Thursday, April 29, 2004
Exhibition Openings Series | Curated by Aaron Levy, Jean-Michel Rabaté

Click Here for Image Slideshow

Slought Foundation, an organization rethinking contemporary arts, presents “Public override void," a vault installation featuring Jim Carpenter's Electronic Text Composition (ETC) project from April 17-June 10, 2004. The opening reception on Thursday April 29, 2004 from 6:30-8:30pm has been organized in conjunction with a live presentation by Carpenter and a public conversation between Bob Perelman, Nick Montfort, and Jean-Michel Rabaté (50 min). The installation includes automated as well as self-service poetry stations and wall panels of code, and takes its name ("Public override void") from an actual string of code embedded in the software program. An audio recording of 49 poems generated by the poetry engine and edited by Jim Carpenter has been made availabe online, s well as a textual overview of the project with extensive excerpts of code (see multimedia links above). Information on the public conversation is available: http://slought.org/content/11199/

The Electronic Text Composition Project’s Poetry Engine is a suite of software components that allow a user to generate aesthetic texts. Drawing word associations from its language database, the Engine’s grammar uses a probability-based approach to constructing syntactic constituents, which it aggregates into utterances, which it in turn aggregates into compositions. The project postulates that the construction of its texts does not actually occur within the software—these constructions, absent authorial intent and divorced from any underlying message, assume their status as poems only as they are read. The process of textual construction is firmly situated within the reader, not the software. Over the last year a dozen poems composed with the Poetry Engine’s aid and submitted under the pen name Erica T. Carter have been accepted for publication in a number of little magazines and literary journals. As evidence of the project’s success (or perhaps indicative of its failure), one editor accepted a poem with the comment, "I found your works intriguing, but have to admit I couldn't wrest the meaning from them."


Jim Carpenter taught English to high school students for twelve years before abandoning the profession to pursue a career in application systems development. Since then, he has held a number of technical and management positions, all in or near computational technology, and has also started and sold a company that developed applications for the election industry. He is currently an independent applications-development consultant and a lecturer in computer programming and systems design in the Department of Operations and Information Management at The Wharton School at the University of Pennsylvania. He recently completed a Masters from the University for the Electronic Text Composition Project, on the web at http://etc.wharton.upenn.edu.

Creative Commons License
Media files on the Slought.org website are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License. You are free to copy, distribute, display, and perform the work under the following conditions: a) Attribution. You must attribute the work in the manner specified by the author or licensor; b) Noncommercial. You may not use this work for commercial purposes; c) No Derivative Works. You may not alter, transform, or build upon this work. For any reuse or distribution, you must make clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the copyright holder.

To Cite this Page using MLA Style:

Jim Carpenter. "Public Override Void." Slought Foundation Online Content.
[29 April 2004; Accessed 25 July 2008]. <http://slought.org/content/11207/>.



Browse Online Content at Slought Foundation...

389 projects with 275 hours of recorded audio are accessible online from this website. The following is a random selection:

On Bareback Subcultures and the Pornography of Risk

Charles Olson at Goddard College, 1962: On Melville
Art and Society: The Work of Fred Forest
Primal Secretions: A Günter Brus Retrospective
The Social Mark (II): Poetry Talks / Discussion
The Real Politick of Utopia: Studies in Displacement
Vexing the Diptych with Asymmetry





This program was made possible in part through the generous sponsorship of Philadelphia Weekly






Contact Us | Press Room | Terms of Use | Donate Online Today

© 2008-2009 Slought Foundation | An independent affiliate of the University of Pennsylvania